La revista impresa Found Footage Magazine alcanza su sexto número con un dossier especial dedicado a la figura del cineasta norteamericano de origen latino Raphael Montañez Ortiz. A la entrevista realizada por el propio editor de la publicación (César Ustarroz) se le suman los artículos de Chon A. Noriega y Jesse Lerner. El autor del ‘Destructivism: A Manifesto’ (1962) y de la serie de trabajos englobados bajo el enunciado Archaeological Finds (1961-64) es objeto de análisis en una edición en la que también se estudia la obra audiovisual de Kirk Tougas, Peggy Ahwesh, Jay Rosenblatt y Ernie Gehr, entre otros cineastas.
SPECIAL ON RAPHAEL MONTAÑEZ ORTIZ
An Archaeology of the Artist as Filmmaker, by Chon A. Noriega
Raphael Montañez Ortiz: Resonances from the Concrète, by Jesse Lerner
An Interview with Raphael Montañez Ortiz, by César Ustarroz
ESSAYS
Recent Archival Engagements with the War to End All Wars, by Scott MacDonald
Memo from the Future: The trans-temporal work of Kirk Tougas, by Donald Brackett
Found Objects, Generative Footage, and Machinima: Peggy Ahwesh’s She Puppet , by Michael Betancourt
The Rejection of Camera Shooting and Its Implications for Found Footage Filmmaking in the Work of Jay Rosenblatt , by Marta Rychter
Finding One’s Feet: A pair of Ernie Gehr’s found footage videos , by Ken Eisenstein
ARTICLES & INTERVIEWS
· Remembrance of Films Past: Joseph Cornell’s Rose Hobart (A Work of Found Scholarship), by Justin Remes
· An Interview with Guli Silberstein, by José Sarmiento-Hinojosa
· The Uncanny Collages of Stacey Steers, by Marie-Pierre Burquier
· An interview with Hugues Sanchez, by Francesca Veneziano
· Cleanse, Tone, Moisturise (Conceal): As the Image is Concealed, its Intentions are Revealed, by Joanna Byrne
· Sokurov: Whispers from the Archive, by César Ustarroz
BOOK REVIEWS
· Ism, Ism, Ism: Experimental Cinema in Latin America (Edited by Jesse Lerner and Luciano Piazza, 2017), by César Ustarroz
· Toward Fewer Images: The Work of Alexander Kluge (Philipp Ekardt, 2018), by Matthew Cole Levine
DÉMONTAGE, Films to Break Projectors, by Tim Grabham aka Iloobia
ARTWORKS by
Keitaro Oshima, Anne-Marie Bouchard, Leandro Listorti, Giuseppe Spina, Lee Hangjun, Alex Faoro, Francisca Duran.
Raphael Montañez Ortiz: Resonances from the Concrète, by Jesse Lerner
An Interview with Raphael Montañez Ortiz, by César Ustarroz
ESSAYS
Recent Archival Engagements with the War to End All Wars, by Scott MacDonald
Memo from the Future: The trans-temporal work of Kirk Tougas, by Donald Brackett
Found Objects, Generative Footage, and Machinima: Peggy Ahwesh’s She Puppet , by Michael Betancourt
The Rejection of Camera Shooting and Its Implications for Found Footage Filmmaking in the Work of Jay Rosenblatt , by Marta Rychter
Finding One’s Feet: A pair of Ernie Gehr’s found footage videos , by Ken Eisenstein
ARTICLES & INTERVIEWS
· Remembrance of Films Past: Joseph Cornell’s Rose Hobart (A Work of Found Scholarship), by Justin Remes
· An Interview with Guli Silberstein, by José Sarmiento-Hinojosa
· The Uncanny Collages of Stacey Steers, by Marie-Pierre Burquier
· An interview with Hugues Sanchez, by Francesca Veneziano
· Cleanse, Tone, Moisturise (Conceal): As the Image is Concealed, its Intentions are Revealed, by Joanna Byrne
· Sokurov: Whispers from the Archive, by César Ustarroz
BOOK REVIEWS
· Ism, Ism, Ism: Experimental Cinema in Latin America (Edited by Jesse Lerner and Luciano Piazza, 2017), by César Ustarroz
· Toward Fewer Images: The Work of Alexander Kluge (Philipp Ekardt, 2018), by Matthew Cole Levine
DÉMONTAGE, Films to Break Projectors, by Tim Grabham aka Iloobia
ARTWORKS by
Keitaro Oshima, Anne-Marie Bouchard, Leandro Listorti, Giuseppe Spina, Lee Hangjun, Alex Faoro, Francisca Duran.
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| Newsreel (1958) Raphael Montañez Ortiz |
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