INCITE! Issue #6: Forever

Auroratone (2012) Sabrina Ratté

La revista INCITE!, especializada en el análisis y el debate sobre la experimentación fílmica y videográfica actual, alcanza su sexto número con un monográfico dedicado específicamente a la noción de temporalidad. Forever es el título bajo el que se presentan un conjunto de artículos, representaciones visuales y colaboraciones diversas de un buen número de cineastas, historiadores y dinamizadores de la escena internacional. El cineasta Walter Fosberg y el archivista del Anthology Film Archives John Klacsmann son los editores de un volumen que incluye la participación de un listado de realizadores, principalmente norteamericanos, ligados al experimental media. Nos referimos a los nombres de Peggy Ahwesh, Craig Baldwin, Bradley Eros, Brian L. Frye, Andrew Lampert, Jesse McLean y Brett Kashmere, el mismo director de la publicación. Todos ellos contribuyen a repensar los medios de creación de imágenes en movimiento en relación al devenir temporal, concentrándolo, prolongándolo o dilatándolo.

Table of Contents
Sabrina Ratté, [untitled images] (cover)
Zak Marmalefsky, [untitled comic]
Walter Forsberg & John Klacsmann, Editors' Introduction

It's About Fucking Time
Kevin Croker & John Madey, The Microscopic Paradox of Temporality
Bradley Eros, Black Hole Cinema
Michael Betancourt, INFINITY
Steve Cossman, No Name, or, Micro Movie Viewers
Cheryl Hann, The Eternal Insanity of GIF Loops and Why We Love It
Anonymous, Skipping
Anonymous, Night Vision
Anonymous, Farm Equipment
Suzanne Porath, Craig Baldwin’s Clock [photograph]
Craig Baldwin, Re: INCITE Forever
Mark Byrnes, The Death and Life of the 13-Month Calendar
Charles Levine, Computer-Cinema-Art
Peggy Ahwesh, Anamorphs
Walter Forsberg & John Klacsmann, A SPIRAL-side Chat with Terry Cannon
Sabine Gruffat, Amarillo Ramp

Pro-Long & Ext-End
@timebasedmedia, Tape Heaven
Samplerman, [untitled comics]
Brett Kashmere, You've Got To Look Into the Light: An Interview with Jesse McLean
Nadia Baram Larralde, We Are All Haunted Houses
T.K. Peters, Preservation of History in the Crypt of Civilization
Ross Lipman, Babel: the Remake
Marsha Gordon, An Introduction to the Bastard Film Encounter
Andrew Lampert, Invocation of My Bastard Brother
Greg Pierce, [untitled photograph]
Soda_Jerk, The Anarchivist Manifesto
Walter Forsberg, The Hibernating Emulsion
Clint Enns, [untitled images]
Jason Fulford, Super Bowl XL [photograph]
Brett Kashmere, Print the Legend (On NFL Films)
Walter Forsberg, No Olvide Su Kodak
Charles Levine, Computer Communications for the Film-makers’ Co-op
Rutherford Chang, [Letter to Nintendo Power]
Brian L. Frye, Three Great Phonographers: Warhol, Nixon, and Kaufman
Leslie Supnet, Duration is Dead. Infinity is Forever.
@timebasedmedia, Selected Communiqués, 2014-2015
Amy Lockhart, [untitled drawing]
Zak Marmalefsky, [untitled comic]
Sabrina Ratté, [untitled image] (back cover)

With limited edition multiples by:
Bradley Eros, Black Hole Cinema Dossier [risograph ‘zine]
Jon Dieringer, 24 Hour Weekend at Bernie’s [Blu-Ray disc]
John Klacsmann, DURATION IS DEAD [sticker]
@timebasedmedia, TBM badge [Glow-In-The-Dark button]
Walter Forsberg & John Klacsmann, INCITE #∞ Call For Entries [flier]
SPIRAL Group, Inc., SPIRAL No. 3 (April 1985) [Compact Cassette re-issue]

Sightings (2014) Sabrina Ratté

Visites Possibles (2014) Sabrina Ratté

Recomendaciones para hoy

Portadas del catálogo Jenkins, Bruce, Michael Snow. Sequences. A Study of His Art. Barcelona: Ediciones Polígrafa, 2015 y los libros MacDonald, Scott, Binghampton Babylon. Voices From the Cinema Department (1967-1977). New York: Suny Press, 2015; Remes, Justin, Motion(less) Pictures. The Cinema of Stasis. New York: Columbia University Press, 2015 y V. Uroskie, Andrew, Between the Black Box and The White Cube. Expanded Cinema and Postwar Art. Chicago: The University of Chicago, 2014.

Transient Visions: Festival of the Moving Image 2015

Invocation of Uzi (2014) Ross Meckfessel

El festival Transient Visions llega a su tercera edición con un atractivo programa de proyecciones de piezas fílmicas y videográficas internacionales. Esta muestra acontecida en Johnson City, Nueva York, consta de cuatro sesiones y dos performances audiovisuales que, como indican en su página web, "celebrates the cutting edge art of the moving image". Dirigido por David Chirico y Melissa Mischke, el festival cuenta con tres curadores de la talla de Alyssa Micha, Tomonari Nishikawa y Brian Murphy. Cada uno de ellos ha seleccionado un listado de trabajos entre los que cabe subrayar las últimas creaciones de Ann Deborah Levy, Lynne Sachs y Sean Hanley, Péter Lichter, Lluís de Sola, Vincet Grenier, Mike Rollo y Zach Iannazzi. Como ya hicimos en la entrada dedicada a la segunda edición del festival –la del año 2014– añadimos cada una de las películas a proyectar con enlaces a visionados íntegros online, así como tráilers o extractos.

10/16/2015
Program: The Voice. Curated by Alyssa Micha

Anóme (Lena Ditte Nissen, 13 min, 2015, Germany)
Starfish Aorta Colossus (Lynne Sachs & Sean Hanley, 6 min, 2015, USA)
Off The Trail (Jacob Cartwright and Nick Jordan, 10 min, 2015, UK)
A Symptom (Ben Balcom, 6.5 min, 2014, USA)
One Light (Brian Wilson, 2.5 min, 2015, USA)
Prodigal (Livia Ungur & Sherng-Lee Huang, 8.5 min, 2015, Romania)
As Near As Light (Susan DeLeo, 1.5 min, 2014, USA)
Mist (Allan Brown, 5 min., 2015, Canada)
Polaroids (Péter Lichter, 14 min, 2015, Hungary)
When Leaving Becomes Arriving (Rebecca Ruige Xu, 4.5 min, 2015, USA)

Program: Rituals. Curated by Brian Murphy

Mototanaka Dérive (Michael Lyons, 4.5 min, Germany/Japan)
My Superstar (Diego Ramirez, 2 min, Australia)
Invocation of Uzi (Ross Meckfessel, 4.5 min, USA)
Fragments of a letter to a child unborn (Maryam Tafakory, 5 min, UK)
RELAY (Steve Cossman, 11 min, Germany/Japan)
Scapegoat (Eden Auerbach Ofrat, 3.5 min, Israel)
Incarnate (Tamer Hassan, 8 min, USA)
The Peacock (Andrew Kim, 12 min, USA)
Stop The Generational Suicide We're Not Interested In How Much Money There Is To Offer (Ben Stone, 10.5 min, USA)
Taklif (Maryam Tafakory, 10 min, UK/Iran)

Audio & visual performance by Pat Cain Saturday

10/17/2015
Program: Selected films of Moving 2015: A Video Arts Festival in Kyoto

Lighting Doodle Project “PiKA PiKA” (TOCHKA, a.k.a. Kazue MONNO and Takeshi NAGATA, 4 min, 2006, Japan)
Lento – Presto (Lyota YAGI, 6 min, 2008, Japan)
In the mist of time (Youki HIRAKAWA, 4.5 min, 2012, Japan)
the outline of everything : the second sense of touch (Yuki HAYASHI, 7.5 min, 2011, Japan)
The other day (Miiku SAKANISHI, 6 min, 2014, Japan)
Noah – Flaw (Takafumi TSUCHIYA, aka TAKCOM, 3.5 min, 2015, Japan)
in-land (Katsunori MIZUNO, 10 min, 2015, Japan)
WAVY (Akira MIYANAGA, 10.5 min, 2014, Japan)

Program: Breathing in the Territory. Curated by Tomonari Nishikawa

Port Noir (Laura Kraning, 11 min, 2014, USA)
The Ghost Ship (Peter Buntaine, 5 min, 2015, USA)
au bord de la rivière (at the edge of the river) (Mike Rollo, 3 min, 2014, Canada)
INTERSECTION (Vincent Grenier, 7 min, 2015, USA)
Spectator(s) (Ann Deborah Levy, 11.5 min, 2014, USA)
Tabula Rasa (Elizabeth Webb & Lisa Truttmann, 7.5 min, 2015, USA)
An enchantment (Lluís de Sola, 15 min, 2014, Spain)
California Picture Book (Zach Iannazzi, 12.5 min, 2014, USA)
Red Capriccio (Blake Williams, 7 min, 2014, Canada)

10:00pm Audio & visual performance "^ACID^" by Flatsitter (Kyle Marler - guitar, Frank Napolski - synth, and Mario Fanone - trumpet)

INTERSECTION (2015) Vincent Grenier

An Enchantment (2015) Lluís de Sola

The Ghost Ship (2015) Peter Buntaine

California Picture Book (2013) Zach Iannazzi