Toy Catalogue 3 - Reel 1 (1996) John Porter |
La revista norteamericana INCITE! acaba de anunciar los contenidos que forman parte de su cuarto número. Esta revista especializada en los Experimental Media hace un exhaustivo repaso de los Microcinemas de Estados Unidos de la mano de sus directores. Light Industry, Early Monthly Segments, Microclimate, Union Docs, Other Cinema o 40 Frames son algunas de estas salas cinematográficas alternativas que han marcado la reciente exhibición de cine y vídeo experimental. Es por ello que la publicación dirigida por Brett Kashmere ha pedido a sus organizadores una serie de reflexiones escritas para recalcar la importancia de estos espacios para el desarrollo del audiovisual actual. Un conjunto de textos sobre los cines móviles, los espacios de cine expandido o la proyección como acto artístico con entidad propia, son algunos de los otros aspectos tratados en esta revista imprescindible sobre el cine experimental.
Exhibition Guide
Issue Number Four
Brett Kashmere and Walter Forsberg Introduction
Microcinemas
Steve Anker Experimental Media Centers across the USA: A Personal History
David Sherman and Rebecca Barten Small is Beautiful
Jeanne Liotta Firefly Cinema (or Cinema for the People)
Sharon Johnson Recollections of The Standard Movie House
tENTATIVELY, a cONVENIENCE Meanderthals in Motion (Pictures)
John Porter A Brief History of The Funnel Experimental Film Theatre
Tara Merenda Nelson Saul Levine and MassArt Film Society
Alex MacKenzie Microclimate: Vancouver, 1995-2003
David Cox Building Community through Microcinema – Other Cinema and Me
Alain LeTourneau A Brief History of 40 Frames Exhibition Series
John Porter Martin Heath's CineCycle
Michael Johnsen and Greg Pierce in conversation with Adam Abrams Pittsburgh's Orgone Cinema: A Deadly Serious Joke
Brian L. Frye On the Origins of the Robert Beck Memorial Cinema
Bryan Konefsky Basement Films
Donna de Ville To Pop-up and Back: A Micro-history of Aurora Picture Show
David Nelson minicine?, 1995 to… (An explanation of the minicine? question mark)…
Gordon Nelson What was Jefferson Presents...?
Jesse Malmed An Anecdotal Collage History of Portland Experimental Media Culture, 1997-2012
Tess Takahashi Magic Lantern: Interviews with Ben Russell and Josh Guilford
Christy LeMaster An Oral History of The NIGHTINGALE
Scott Miller Berry, Chris Kennedy and Kate MacKay Early Monthly Segments
Kier-La Janisse Blue Sunshine: The Life and Death of a Microcinema
Kate Ewald Do It Yourself (with Others)
Marcus Rosenstrater Contraband Cinema
Spectacle The Telling of the Lore: A First-Person History of Brooklyn's Spectacle
Melissa Ragona Union Docs: UnDoing Documentary
Light Industry Folio
Mobile Cinemas
Bill Daniel Who is Bozo Texino, Film Touring 2005-2010
Adelheid Heftberger Soviet Agit-Trains from the Vertov Collection of the Austrian Film Museum
Alice Moscoso La Cyclo-Cinematheque: An Interview with Bill Brown and Sabine Gruffat
Audrey Young Cine Movil Mexico
Alice Moscoso Tunnel Vision: A Film Event Inside the World's Oldest Subway Tunnel
Bill Brand Masstransiscope
Theo Michael Tales from a Balkan VJ
The Flinching Eye Collective Atemporal Radio Tour: A Traveling Sound Performance
Expanded Cinemas
Walter Forsberg God Must Have Painted Those Pictures: Illuminating the Synaesthesiac History of Auroratone
Bradley Eros Hystery is Made at Night: Mercurial Cinema is Written on Ether (Evidence of RBMC)
Jonathan Walley Re-creating Expanded Cinema
Sabrina Gschwandtner Film Quilts
Richard Kerr Motion Picture Weavings
Walter Forsberg and Clint Enns Digital Preservation
Elena Gorfinkel Film After Cinema: Sandra Gibson and Luis Recoder's Light Spill and Museological Materialism
Projecting
Sandra Gibson and Luis Recoder Notes on "Perfect Projection"
Caroline Martel The Film Prayer
Sarah Halpern Shoes, Cars, Filth and Film Projection; The Language of Anxiety Dreams
40 Frames Projector Image Size Calculation
Recommended Portable 16mm Projectors
Screen Luminance Guide
Print Handling / Print Inspection Report Form
Christina Battle DIY Screening Checklist
Down On Me (1980/81) John Porter |
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